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Tosca will be sung in Italian with English supertitles. The production will be conducted by Joseph Marcheso and directed by Brad Dalton. “Tosca” plays at the California Theatre, 345 S. First St., San Jose. Tickets are $50-$151 at operasj.org and by phone at 408.437.4450. The musical follows the true-to-life journey of six young girls from the streets of New York to San Jose in 1910. Accompanied by historical photographs, the show depicts a lesser-known period in history when more than 250,000 homeless and orphaned children from large East Coast cities were away to be placed in homes between 1854 and 1929.

Guys and Dolls: 7:30 p.m, March 8-9, 15-16, 4:30 p.m, March pink ballet shoes, dresses & flowers ribbon trim 5 yards - sew on - jackets - backpacks - jeans - craft - supply - dress - sewin 14 and 2 p.m, March 17, Palo Alto High School Performing Arts Center, 50 Embarcadero Road, Palo Alto, This musical high-stakes adventure has the cast dancing the night away through Times Square and Havana, $10-$15, Special Saints and Sinners Benefit: 5:30 p.m, March 16, Performing Arts Center Lobby, Feast on New York deli delights, while members of the Guys & Dolls cast entertain you with song and dance numbers, Your ticket includes supper, entertainment and VIP seats to Guys & Dolls 7:30 performance, $35-$45,  www.palytheatre.com/tickets..

Possokhov’s “Rite” began with promise. The women slid down the ramped platform like cats in heat, until they pulled their pastel-splashed shifts over their heads and vibrated like butterflies. But the trite and the bizarre weren’t far behind. Soon, the men got busy hauling the women in spread-eagle position like split sides of beef or losing themselves in the women’s captive crotches with pointless repetition. The appearance of a weird, hotheaded creature — a twinned, centaurlike being (wonderfully embodied by Garen Scribner and James Sofranko) —— would have been comical if its purpose weren’t so dark: to push the bacchanal toward sacrifice. It was a sacrifice that had none of the inevitability of ritual and all of the gratuitousness of a random act of violence.

“Madama Butterfly,” Nov, 6, War Memorial Opera House, San Francisco: On paper, San Francisco Opera’s revival of Puccini’s melodrama didn’t look especially promising, Yet with Lianna Haroutounian in the title role, the production yielded one of fall’s most exciting nights in the opera house, The Armenian soprano gave an unforgettable performance for the ages, one that made “Butterfly” seem new all over again, Berlin Philharmonic, Nov, 22, Davies Hall, San Francisco: Presented by pink ballet shoes, dresses & flowers ribbon trim 5 yards - sew on - jackets - backpacks - jeans - craft - supply - dress - sewin the San Francisco Symphony, the august ensemble under conductor Simon Rattle arrived for two nights of sublime music-making, The first night’s performance was astounding: leading Mahler’s Symphony No, 7, Rattle and the orchestra filled the hall with richly enveloping, beautifully detailed sound..

Afterward, he stood outside the studio smoking a cigarette, beads of sweat glistening on his forehead. “That was fun,” he said. It was unlikely, too. Slick with new-media panache, Thicke’s performance was one you might expect from a buzzed-about rookie running on borrowed bravado. At 36, though, this show-business veteran is well past his hotshot years, and “Blurred Lines” is far from his first crack at the charts. Nonetheless, the song’s runaway success could make a young pop idol jealous. A jumpy disco jam featuring Pharrell Williams and rapper T.I., it just spent a seventh week at No. 1 on Billboard’s Hot 100, while the song’s willfully provocative music video has been viewed online well over 100 million times.