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While Montalvo’s choreographic profile is likely to rise with DTSF, the company also showcases his influence as a mentor. As soon as he landed in the Bay Area, he started teaching at Alonzo King LINES Ballet and ODC, and several DTSF dancers are his former students. Jessica Wagner, who was hired before Montalvo took over as DTSF artistic director, studied with him at LINES, as did Dalmacio Payomo. And Mia Chong spent three years under his training at ODC “five days a week,” he says. “Then she went off to NYU, and she earned the spot at DTSF. She’s just phenomenal. To see one of my dance babies grow up into someone I’m working with is the happiest moment. That’s where I feel like (a) proud parent.”.

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Director Robert Kelley infuses the story of the 17th-century Parisian swordsman with whimsy, but the theatrical warhouse runs a longish two hours and 40 minutes. The lavish costumes (Fumiko Bielefeldt), sparsely inventive set (Joe Ragey) and tender final scenes are worth the wait, but there’s not quite enough swash in this buckler to make the production truly swoon-worthy. For the record, the fencing itself is on the nose. Jonathan Rider choreographs the show’s lusty swordplay as if it were a ballet with blades giving the fight scenes a nice sense of flourish and sweep. One epic battle in particular, in which the man with prominent protuberance takes on 100 brigands, is a lark, setting capes and cloaks awhirl.

That was supposed to be one of the evening’s most moving moments, and it only sort of was, Edie Falco also encountered a similar struggle in a tribute to “The Sopranos” star James Gandolfini, trying to make what was on the teleprompter sound as authentic as the pain she so clearly, visibly feels at losing a friend, More strangeness: Elton John performed a song that he said was a tribute to Liberace, which is topical because of all the nominations for HBO’s “Behind the Candelabra,” a film that clearly left everyone who saw it with a warm feeling about the flamboyant pianist, Later, Carrie Underwood performed the Beatles’s song “Yesterday,” as a tribute to all the things that happened during or close to the year 1963 (the March golden vines bridal ballet flats wedding shoes - any size - pick your own shoe color and crystal color on Washington; the John F, Kennedy assassination), because ….? Because..

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