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This intricate use of stylized movement is at the heart of this play’s power. The gestures and images convey its themes much more eloquently than anything the characters say, although Gregory Burke’s text is lean and muscular. In one haunting moment, a knife slices through the blood-red felt of a pool table to reveal two soldiers, their eyes scouring the audience as if for suicide bombers. Suddenly the swagger and cheer of the bar has been transformed into a reminder that the battlefield follows these boys wherever they go.

3, The disturbing relevance of “Watch on the Rhine” at Berkeley Rep took this reviewer by surprise, What seemed like a dusty old World War II saga became a frighteningly urgent cautionary tale about the fragility 25 ballet shoes antique silver 21x13mm, charms pendants. of freedom, 4, Taylor Mac’s “A 24-Decade History of Popular Music.” Nuff said, Whether you experienced all 24 hours of this magnificent pop music opus or just one six-hour chunk, you left the Curran forever changed by the magic of a singular performer let loose on a transformative motif..

Oakland Ballet Company presents the Bay Area premiere Lustig’s “Jangala” on March 10 at Oakland’s Skyline High School Performing Arts Center and March 13 at the Castro Valley High School Performing Arts Center. The piece premiered at New Jersey’s Middlesex County College in 2013. The hope is that “Jangala” becomes part of Oakland Ballet’s regular repertoire, providing a vivid point of entry for young audiences. For these performances, the company is joined by bharatanatyam dancer Nadhi Thekkek in the role of Mowgli’s human mother, Messua. Her San Francisco company, Nava Dance Theatre, opens the performance with a newly commissioned narrative dance work in the bharatanatyam tradition, created for these performances and featuring live music.

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Stanford Art Spaces at Stanford University. Toko Shinoda — Lithographs and Paintings — “A Lifetime of Accomplishment” — The Tolman Collection Tokyo. Celebrating the 50th anniversary of the Inter-University Center for Japanese Language Studies and the artist’s 100th birthday. Through Oct. 17. Paul G. Allen Art Spaces Gallery, 420 Via Palou (corner of Campus Drive and Via Ortega). 8:30 a.m.-5 p.m. weekdays. Free. Norman Tolman to speak about Toko Shinoda’s art at 6 p.m. on Sept. 9, Paul G. Allen building, 101X auditorium. 650-725-3622 or http://cis.stanford.edu/~marigros.